NEW SINGLE : The Reds, Pinks & Purples share new track, ‘The Biggest Fan’

The Reds, Pinks & Purples share a tongue-in-cheek critique of modern fandom on ‘The Biggest Fan’

3rd single from the new album, Uncommon Weather, due on Tough Love Records on April 9.

Today The Reds, Pinks & Purples skewers modern indie fandom with the ironically titled “The Biggest Fan” – the 3rd single from the upcoming Tough Love LP Uncomon Weather.

Glenn Donaldson explains the source material for the song:

“There’s this thing that I witnessed sometimes after shows, people walking up to the merch table to say ‘I am big fan’, but then they would apologize for downloading or streaming your music for free. This song is meant as a guilt-trip for those who claim to be ‘fans’ but haven’t bothered to purchase the album yet.”

From the many musical lives of artist Glenn Donaldson emerges The Reds, Pinks & Purples, a project that sifts out the purest elements of pop music and in the process chronicles the point of view of an assiduous San Francisco-based songwriter. The Reds, Pinks & Purples’ third album, called Uncommon Weather, is both an elusive portrait of San Francisco––during one of its fluctuations as an untenable place for musicians and artists––and also a self-portrait, however inverted, of a songwriter who has dispatched another treasured collection of timeless sounding DIY-pop songs.

How The Reds, Pinks & Purples arrived here is a story with many roots, the most consequential of which is perhaps the musical aftermath of his earlier band, The Art Museums, whose brief tenure in the late ’00s coincided with an explosive period of the Bay Area rock scene and was followed by a hermetic musical period of Donaldson’s.

Disenchanted with the dissolution of his band, Donaldson averted the DIY-pop sound with an instrumental, conceptual project called FWY! but meanwhile started a habitual songwriting practice, sharing nascent songs with friends in an email exchange. In2013–2014, The Reds, Pinks & Purples took shape as the moniker for Glenn’s most direct expressions in the DIY-pop mode, enabled by this new disciplined output. By then, San Francisco was already a changed place. The tragic loss of his former bandmate in Art Museums was another source of discontinuity and rupture. You can hear in The Reds, Pinks & Purples’ earliest songs this grappling with life, anxiety, and atrophying subcultures. For an artist with an overriding interest in the aesthetic principles of discrete musical genres, this turn toward his immediate world for subject matter was a major shift, setting The Reds, Pinks & Purples apart from Donaldson’s other musical ventures.

Preceding the release of Uncommon Weather was the Reds, Pinks & Purples’ 2nd album, one of the record buying joys of 2020, You Might Be Happy Someday, and, earlier, their first proper full length Anxiety Art, a title that might nod to the classic Television Personalities song “Anxiety Block.” Donaldson’s music continuously reckons with the influence of Dan Treacy, whose own forays into drum-machines, echo, and reverb in the early 1990s is an important reference point for The Reds, Pinks & Purples’ musical template. Paul Weller, Robert Smith, and Sarah Records also come to mind. But, as important, Donaldson sees his projects as visual expressions too, often blurring the lines of records and physical art objects. They could just as well be “art multiples” as well as records. The pattern for Reds, Pinks & Purples’ records is to document San Francisco’s Inner Richmond district in photographs: the muted, pastel colours and un-peopled compositions unfold in a series of images that read like counter-melodies to Donaldson’s distinctive voice, a vocal tone that always complements the colors.

Self-recorded and mostly self-performed, Uncommon Weather features pinnacle versions of songs Donaldson has honed since the beginning of the project. The album arrives with grateful timing, quick on the heels of You Might Be Happy Someday, and alleviating, for a brief window at least, whatever it is that keeps us coming back to this elemental music. Donaldson imagines his listeners are just like himself: fascinated and addicted to the spiritual power of uncomplicated pop classics.

The album is available on DL, CD, LP and a pastel green vinyl version with bonus 7” & 14 page booklet limited to 200 copies via Bandcamp. Pre-order the album HERE

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