CONCERT REIVEW : OASIS, WEMBLEY STADIUM, LONDON, ENGLAND, UK, 26TH JULY 2025

Before the gates even swung open, Wembley transformed into a vibrant street party atmosphere. The lineup promised an unforgettable Britpop celebration, inviting everyone to join in the revelry. Cast kicked off the evening with a burst of energy, as John Power’s voice radiated a quintessential Mersey swagger atop sharp, straightforward guitar riffs. Their performance quickly ignited the early crowd, setting the stage for a night of nostalgia and excitement. Following their spirited opening, Richard Ashcroft took centre stage, exuding his signature intensity and charisma. His set seamlessly blended intimate moments with grand, uplifting sounds, forging a profound connection that resonated with the entire stadium.

As Oasis finally emerged, the palpable buzz of anticipation among the crowd was electric. They launched into “Hello,” a track brimming with sharp, punchy energy that immediately captivated everyone. The first big singalong erupted during “Acquiesce,” with thousands of voices harmonizing the chorus back to the band. “Morning Glory” followed, propelled by powerful guitar work that had everyone moving. Tracks like “Some Might Say” and “Bring It On Down” highlighted the enduring strength of these songs, delivered with laser-sharp focus. The rhythm section held things tight, while the guitars exuded a raw, unfiltered edge.

“Cigarettes & Alcohol” brought its trademark confident swagger, and “Fade Away” felt like a rare gem for devoted fans, illustrating how Oasis’s B-sides continue to shine. The duo of “Supersonic” and “Roll With It” followed in quick succession. Both songs had a rough-around-the-edges charm that complemented their spontaneity perfectly.

Midway through the set, Noel took over the mic, shifting the evening’s mood. “Talk Tonight” radiated warmth and sincerity, while “Half the World Away” unified everyone in applause. “Little By Little” soared with strength and uplift, proving that even in such a massive arena, his voice created a sense of intimacy.

Then, as the lights dimmed, the band shifted into heavier territory. “D’You Know What I Mean?” thundered like a fighter jet taxiing down the runway, its loops and riffs recalibrated for the vast outdoor stage. “Stand By Me” and “Cast No Shadow” provided the night’s emotional core, stepping out from behind the bravado to let the melodies resonate. “Slide Away” reached a sublime emotional peak, stretching and straining until it crested in a release that felt genuinely earned. “Whatever” brought back a breezy, arms-aloft sway, followed by “Live Forever,” which arrived like a secular hymn. “Rock ’n’ Roll Star” closed the main set with an incandescent bite—still a bold declaration, still a dare.

The encore began precisely where it needed to: “The Masterplan,” with Noel in the spotlight again, transforming a once-B-side into the evening’s understated highlight. “Don’t Look Back in Anger” ignited an irresistible, stadium-wide chorus, resembling a congregation more than just a crowd. Then “Wonderwall” wrapped the stands in that unmistakable guitar figure, the entire venue singing in unison as if the last three decades were distilled into four magical minutes. “Champagne Supernova” sealed the night with expansive, patient energy, culminating in a sky-bursting coda that spiralled until the final crash felt both thunderous and strangely tender.

What resonated most was not solely the weight of the catalogue, though that aspect was undeniable—it was the structure of the show itself. The pacing struck a perfect balance: the raw snarl, the melodic embrace, the elegant mid-set breather, and the late-set comet tail. Liam’s delivery was flinty and focused, embodying the lived-in quality that suited these songs; Noel’s moments at the mic added depth and breadth. The band behind them maintained a muscular and direct sound, resisting the urge to succumb to stadium bloat, opting instead for something more immediate and powerful. The production was tastefully executed—big screens and clean lighting enhanced the experience, allowing the songs to fill the space without overshadowing them with spectacle.

As for the undercard, Cast and Ashcroft were far from mere nostalgia signposts; they functioned as tone-setters for the evening. Cast’s crisp, melodic punch primed the atmosphere, while Ashcroft’s widescreen soul made the stadium feel both smaller and braver. Together, they framed Oasis in the context of the vibrant ecosystem that birthed them, turning the night into a living mixtape of a specific era—refreshed rather than preserved.

In the end, the takeaway was strikingly simple: these songs still resonate with people, and not merely due to their historical significance. On this night, they embodied the present moment—lifting a packed stadium to its feet and keeping it there. Triumphant without veering into pageantry, loud without sacrificing detail, this Wembley show felt less like a museum tour and more like a band reclaiming its own atmospheric magic.

 

Review by Karen Edmond 

 

 

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