Jerskin Fendrix shares new single ‘Black Hair’ + Announces first headline show at Bermondsey Social Club on 27th November

Photo credit: Liam Noonan

Previous praise for Jerskin Fendrix:

“Jerskin Fendrix should have tea with Jarvis Cocker”
– Iggy Pop on BBC 6 Music 

“Abrasive, brutal and grinding”
– The Guardian

“Biblical weird pop”
– Loud & Quiet 

“Jerskin Fendrix is the pop sensation we don’t deserve […] crooning like Sinatra stuck in a time warp atop phantasmagoric off-kilter pop beats.” 
– Fred Perry Subculture

“Massively personal, massively autotuned”
– So Young

London experimental-pop musician Jerskin Fendrix has released his new single ‘Black Hair‘ via London label untitled (recs) – Listen HERE / On DSPs HERE.

Today, Jerskin Fendrix is back with his first official single release ‘Black Hair’. The track is a dark number inspired by Japanese anthology horror film ‘Kwaidan’. 

Speaking about the new single, Fendrix said,

 “I wrote Black Hair just after finishing UBU at the V&A, and I had this slow and long and dark pacing very deep in my muscle memory. Hair is such a good idea for a ghost, the song is playing with that idea. I really wanted a way of playing with ghosts in a song, and being eaten by hair worked well. By the end the hair eats the song too. The hair is also kind of a symbol of regret”

A renaissance man of sorts, still only in his early 20’s, the classically trained, former Cambridge University student, Jerskin Fendrix, has been carving himself a special place on the London scene. Starting out by releasing a trilogy of video singles that have already received high praise from the likes of Iggy Pop, The Quietus, Loud & Quiet, So Young and more. In 2018, he composed the score to an experimental absurdist opera ‘UBU’ at the V&A (receiving 4 stars from the Guardian) before embarking on a UK tour and joint single release with rock phenomenon Black Midi.

As a classically trained pianist and violinist, Fendrix’s practice and ambition extends far beyond the realm of traditional songwriting. His PC-Music influenced, and avant-garde take on electronic pop cannibalises and appropriates elements of pop culture at the service of very personal songs. All of his material has an emotionally playful sarcastic take on the tropes of modern life, whilst also delving inwards. Most of all, it can’t be easily pigeonholed.

In 2017, Fendrix dropped his debut single ‘Onigiri‘ and exacerbate romantic ballad ‘Manhattan‘, before his third single ‘Swamp‘ alongside a spectacular music video. Directed by close collaborator and visual artist Peter Price, the video juxtaposed internet found footage with portraits of the artist mourning a long-distance breakup – a recurring theme in the artist’s practice.

‘Black Hair’ represents another musical leap forward for Fendrix, adding new textures and further nurturing an avant-pop sound that has been his and his alone since he began writing and performing.

Fendrix has also recently announced his first London headline show at Bermondsey Social Club – Tickets are available HERE.



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